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The Swinging Sixties was a youth-driven cultural revolution that took place in the United Kingdom during the mid-to-late s, emphasising modernity and fun-loving hedonism , with Swinging London denoted as its centre. Music was an essential part of the revolution, with "the London sound" being regarded as including the Beatles, the Rolling Stones , the Who , the Kinks and the Small Faces , bands that were additionally the mainstay of pirate radio stations like Radio Caroline , Wonderful Radio London and Swinging Radio England.
During the s, London underwent a "metamorphosis from a gloomy, grimy post-war capital into a bright, shining epicentre of style ". Shaping the popular consciousness of aspirational Britain in the s, the period was a West End —centred phenomenon regarded as happening among young, middle class people, and was often considered as "simply a diversion" by them.
The swinging scene also served as a consumerist counterpart to the more overtly political and radical British underground of the same period. English cultural geographer Simon Rycroft wrote that "whilst it is important to acknowledge the exclusivity and the dissenting voices, it does not lessen the importance of Swinging London as a powerful moment of image making with very real material effect.
The Swinging Sixties was a youth movement emphasising the new and modern. It was a period of optimism and hedonism, and a cultural revolution. One catalyst was the recovery of the British economy after post- Second World War austerity , which lasted through much of the s. It swings; it is the scene", [ 7 ] [ 8 ] and celebrated in the name of the pirate radio station, Swinging Radio England , that began shortly afterwards.
In , Diana Vreeland , editor of Vogue magazine, said that "London is the most swinging city in the world at the moment. The Rolling Stones' album Aftermath has been cited by music scholars as a reflection of Swinging London. Ian MacDonald said, with the album the Stones were chronicling the phenomenon, while Philippe Margotin and Jean-Michel Guesdon called it "the soundtrack of Swinging London, a gift to hip young people".
