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His first works were in scenography and architectural proposals, influenced by minimalism, theater and music. Over the decades he has developed this focus on the built environment, including several free-standing pavilions, to embrace the potential of public scale and canonical figurative sculpture.
His human and human-like figures range from tender portraits to fantastical beasts, towering abstractions of humanoid form to substantial busts of individuals that register variously as renown, forgotten, and anonymous.
Using a range of classical sculpture materials, bronze, ceramic, and Murano glass among them, his figures take on archetypal qualities, capturing a fragile line between individual likeness and commonality. Skulpturenhalle, Neuss, Germany.
Westkunstmodelle 16 September — 28 January Frith Street Gallery, London. Georg Kolbe Museum, Berlin. Peter Freeman, Inc. Krefeld Pavilion, Germany. Keramik 30 May — 20 September. Konrad Fischer Galerie, Berlin. Heads 10 January — 15 March. Monnaie de Paris, France. Oldenburger Kunstverein, Germany. Crystal 20 June — 29 August. Museum Folkwang, Essen, Germany.
United Enemies 5 March — 25 August. Sara Hildenin Taidemuseo, Tampere. Jarla Partilager, Berlin. Houses 7 July — 11 November. Wattwanderung 16 June — 9 September. Middelheimmuseum, Antwerp. Castello di Rivoli, Turin. Carolina Nitsch, New York. Galerie Nelson-Freeman, Paris.